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Throughout its history, The Juilliard School has maintained a commitment to providing the highest caliber of artistic and educational experience to exceptionally talented young performing artists from around the world. Juilliard was founded in 1905 as the Institute of Musical Art by Dr. Frank Damrosch, the godson of Franz Liszt and the head of music education for New York City’s public schools. Damrosch was convinced that American musicians should not have to go abroad for advanced study, and created the Institute as an American music academy that would provide an educational experience comparable to that of the established European conservatories. With the initial enrollment figures nearly five times what was expected, the Institute quickly outgrew its original home at Fifth Avenue and 12th Street (seen in photo above) and moved to new quarters near Columbia University in 1910.
Nine years later, a wealthy textile merchant named Augustus Juilliard died and left in his will the largest single bequest for the advancement of music at that time. The trustees of the bequest founded the Juilliard Graduate School in 1924 to help worthy music students complete their education. In 1926, the Graduate School and the Institute of Musical Art merged to become the Juilliard School of Music under one president, the distinguished Columbia University professor John Erskine. Erskine was succeeded in 1937 by renowned concert pianist and composer Ernest Hutcheson, who served in the position until 1945.
Succeeding Hutcheson in 1945, composer William Schuman expanded Juilliard’s identity as a conservatory devoted exclusively to music study with the establishment of the Dance Division, under the direction of Martha Hill, in 1951. He also established the Juilliard String Quartet as the school’s quartet in residence, and the Literature and Materials of Music program, a groundbreaking music theory curriculum.
In 1968, during the tenure of Peter Mennin, a Drama Division was created, with John Houseman as its first director and Michel Saint-Denis as consultant. The school changed its name to The Juilliard School to reflect its broader artistic scope, and moved to its current home at Lincoln Center the following year. The first production of the Juilliard Opera Center, Igor Stravinsky’s The Rake’s Progress, celebrated the opening of the Juilliard Theater at Lincoln Center in 1970.
Following Mennin’s death in 1983, Dr. Joseph W. Polisi became the school’s sixth and current president, beginning with the 1984-85 academic year. Major projects that have been realized during his administration include the completion of the Meredith Willson Residence Hall in 1990; significant additions to the curriculum with new programs in jazz studies and historical performance, the addition of an MFA program in Drama, and strengthening the School’s liberal arts program; implementation of numerous educational and community engagement programs; a major expansion and renovation of Juilliard’s facility, completed in fall 2009; and the announcement of the school’s first branch campus outside of New York, The Tianjin Juilliard School in China, expected to open in the fall of 2018.
Famous trumpet player and composer Wynton Marsalis is the director of Jazz at Lincoln Center.
In September 2001 eighteen important jazz musicians joined the school to start the Jazz Studies at Juilliard Institute. These musicians who were picked by a special talent exam were the first graduates of the class.
Jazz Studies program is in collaboration with Juilliard School and Jazz at Lincoln Center. This allows students to be in close contact with the best classical and jazz tutors and performers. The students follow the curriculum to be able to play with both small and big bands. The students play with the school’s jazz orchestra during the semester at Alice Tully Stage and local concert halls.
Common classes for all jazz students:
• Jazz history
• Jazz improvisation
• Jazz composing and arranging
• Juilliard Jazz Orchestra
• Jazz combo
• Piano skills
• Basic principles of music
If the students can pass ear training, piano skills or score writing tests then they’re not required to take these classes.